|
4-Part Jazz Harmony > Lateral Thinking
![](../../images/menu/img3_06.gif)
Lateral Thinking
Lateral Thinking requires that when we are presented with a given chord in a standard song, we must think "laterally" of either maj6 (and its associated 6/diminished scale, called maj6/dim), or min6 (and its associated 6/diminished scale, called min6/dim), and position this "lateral" chord/scale at a predetermined interval from the root of the given chord. (Note: this technique only works if the root of the given chord is being sounded firmly in the bass).
The advantage of this approach to harmonization is that we can introduce additional and/or substitute notes, called Enriching Notes, to any given chord, simply by applying a "lateral" chord/scale.
In the case of dominants, a variety of positions for the "lateral" chord/scales are applicable: the choice depends on where the dominant is going.
The following table shows the position of the "lateral" chord/scale with respect to various Chord Types, and the effect on the colors of the given chord:
Chord to be harmonized |
"Lateral Thinking" Chord/Scale |
Enriching Notes |
maj6 |
maj6/dim on 5th (of chord) |
substitution of 4th with #4th ,
addition of #9th |
min6 |
min6/dim on root |
addition of b13th |
min7 |
maj6/dim on flat 3rd |
substitution of 13th with b13th,
addition of major 7th |
min7 b5 |
min6/dim on flat 3rd |
substitution of b9th with 9th,
addition of major 7th |
7 resolving down a ½ |
min6/dim on 5th |
substitution of 4th with #4th ,
addition of #9th |
7 resolving up a 4th |
min6/dim on sharp root |
substitution of 9th with b9th,
addition of #9th ,
substitution of 4th with #4th ,
substitution of 5th with #5th |
7 resolving up a 4th |
maj6/dim on flat 6th |
substitution of 9th with b9th ,
addition of #9th ,
substitution of 13th with b13th |
7 resolving to itself |
maj6/dim on flat 7th |
substitution of 3rd with sharp 2nd ,
addition of sharp 4th |
7 resolving to itself |
min6/dim on flat 7th |
substitution of 3rd with sharp 2nd ,
substitution of 9th with flat 9th ,
addition of sharp 4th |
7 resolving up a 4th |
min6/dim on 4th |
substitution of 13th with b13th ,
addition of b9th |
7 resolving up a maj 2nd ,
4th , min 6th or down a ½ |
°7/dim on flat 9th |
substitution of 9th with b9th ,
addition of #9th ,
substitution of 4th with #4th |
The Elements of Harmony | Baroque Harmony | 4-Part Jazz Harmony | Harmonic Sequences Archive | Percussion | Pythagoras | 4-Part Score Editor | Discussion Forum
©2008 Musilogic, Inc. |